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Le domino noir

Черное домино

Additional recitatives and introduction to a chorus for the opera by Daniel-François-Esprit Auber (1868).

Catalogue References TH 175 ; ČW 18 (as "Chorus from Act I and recitiatives for Acts I–III of D. Auber's opera Le domino noir")
Date October 1868
Text Eugène Scribe (1791–1861)
Language Italian
Performers Lord Elfort—tenor
Count Giuliano—tenor
Orazio von Massareno—tenor
Gil Perez—bass
Angela—soprano
Brigida —soprano
Orsola—soprano
Gacinta—alto
La Portinaia—alto
Instrumentation Solo voices; Chorus (SATB) + Piano
First Performance Moscow, Bol'shoi Theatre, 10/22 January 1870
Autograph Location Saint Petersburg, Central Music Library of the Mariinskii Theatre (VII.1.4.154)
First Publication Moscow: Muzgiz, 1971
Notes The opéra comique in 3 acts Le domino noir was composed by Daniel-François-Esprit Auber (1782–1871) and first performed in Paris in 1837

History

The music to Auber's opera Le domino noir was written at the request of Eugenio Merelli, impresario for the Italian Opera company in Moscow, for inclusion in an intended benefit performance for the singer Désirée Artôt. Tchaikovsky wrote about this work on 21 October/2 November 1868 to Anatolii Tchaikovsky: "I am terribly busy at the moment writing recitatives and a chorus for Auber's Domino Noir, which is being put on for Artôt's benefit' [1]. Tchaikovsky’s haste turned out to be unnecessary, as Le domino noir was not performed in the 1868/69 season.

The first performance of Auber's opera with Tchaikovsky's additional numbers eventually took place on 10/22 January 1870, at Cantoni's benefit. The concert bill read: "Le domino noir, comic opera in 3 acts. Music composed by Auber. Introduction to a chorus in Act I and recitatives composed by P. Tchaikovsky (for the first time)". According an account to Eugene Merelli, Tchaikovsky’s wrote an orchestral introduction to a chorus in the first act, and recitatives for all the performers [2]. Merelli paid the composer 150 roubles for this work. Désirée Artôt sang in all the productions, and which by the close of the winter season amounted to around ten performances.

From: Музыкальное наследие Чайковского (1958), p. 485
English text copyright © 2006 Brett Langston


Notes:
  1. Letter 122 to Anatolii Tchaikovsky, 21 October/2 November 1868 [back]
  2. Preserved in the State Central Archive for Literature and the Arts, Moscow [back]

This page was last updated on 14 November 2010