Twelve Pieces
(Двенадцать пьес)
Moderate difficulty, Op. 40 (1878).
No. 1. Etude (Этюд)
| Catalogue References |
TH 138 ; ČW 136 (as "Study") |
| Date |
February–April 1878 |
| Key |
G major |
| Tempo/Section Listing |
Allegro giusto (G major, 114 bars) |
| Instrumentation |
Piano (solo) |
| Autograph Location |
Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No.
115) |
| First Publication |
Moscow: P. Jurgenson,
1879 |
| Average Duration |
2 minutes |
| Dedication |
Modest
Ilyich Tchaikovsky (1850–1915) |
| External Links |
IMSLP/Petrucci Music Library
(downloadable score) |
No. 2. Chanson triste (Грустная песенка)
| Catalogue References |
TH 138 ; ČW 137 (as "Sad Song") |
| Date |
February–April 1878 |
| Key |
G minor |
| Tempo/Section Listing |
Allegro non troppo (G minor, 68 bars) |
| Instrumentation |
Piano (solo) |
| Autograph Location |
Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No.
115) |
| First Publication |
Moscow: P. Jurgenson,
1879 |
| Average Duration |
3 minutes |
| Dedication |
Modest
Ilyich Tchaikovsky (1850–1915) |
| External Links |
IMSLP/Petrucci Music Library
(downloadable score) |
No. 3. Marche funèbre (Похоронный марш)
| Catalogue References |
TH 138 ; ČW 138 (as "Funeral March") |
| Date |
February–April 1878 |
| Key |
C minor |
| Tempo/Section Listing |
Tempo di Marcia funebre (C minor, 115 bars) |
| Instrumentation |
Piano (solo) |
| Autograph Location |
Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No.
115) |
| First Publication |
Moscow: P. Jurgenson,
1879 |
| Average Duration |
9 minutes |
| Dedication |
Modest
Ilyich Tchaikovsky (1850–1915) |
| External Links |
IMSLP/Petrucci Music Library
(downloadable score) |
No. 4. Mazurka (Мазурка)
| Catalogue References |
TH 138 ; ČW 139 |
| Date |
February–April 1878 |
| Key |
C major |
| Tempo/Section Listing |
Tempo di Mazurka (C major, 153 bars) |
| Instrumentation |
Piano (solo) |
| Autograph Location |
Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No.
115) |
| First Publication |
Moscow: P. Jurgenson,
1879 |
| Average Duration |
3 minutes |
| Dedication |
Modest
Ilyich Tchaikovsky (1850–1915) |
| External Links |
IMSLP/Petrucci Music Library
(downloadable score) |
No. 5. Mazurka (Мазурка)
| Catalogue References |
TH 138 ; ČW 140 |
| Date |
February–April 1878 |
| Key |
D major |
| Tempo/Section Listing |
Tempo di Mazurka (D major, 171 bars) |
| Instrumentation |
Piano (solo) |
| Autograph Location |
Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No.
115) |
| First Publication |
Moscow: P. Jurgenson,
1879 |
| Average Duration |
4 minutes |
| Dedication |
Modest
Ilyich Tchaikovsky (1850–1915) |
| External Links |
IMSLP/Petrucci Music Library
(downloadable score) |
No. 6. Chant sans paroles (Песенка без слов)
| Catalogue References |
TH 138 ; ČW 141 (as "Song Without
Words") |
| Date |
February–April 1878 |
| Key |
A minor |
| Tempo/Section Listing |
Allegro moderato (A minor, 110 bars) |
| Instrumentation |
Piano (solo) |
| Autograph Location |
Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No.
115) |
| First Publication |
Moscow: P. Jurgenson,
1879 |
| Average Duration |
2 minutes |
| Dedication |
Modest
Ilyich Tchaikovsky (1850–1915) |
| External Links |
IMSLP/Petrucci Music Library
(downloadable score) |
No. 7. Au village (В деревне)
| Catalogue References |
TH 138 ; ČW 142 (as "At the
Countryside") |
| Date |
February–April 1878 |
| Key |
A minor–C major |
| Tempo/Section Listing |
Andante sostenuto (A minor–C major) |
| Instrumentation |
Piano (solo) |
| Autograph Location |
Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No.
115) |
| First Publication |
Moscow: P. Jurgenson,
1879 |
| Average Duration |
5 minutes |
| Dedication |
Modest
Ilyich Tchaikovsky (1850–1915) |
| External Links |
IMSLP/Petrucci Music Library
(downloadable score) |
No. 8. Valse (Вальс)
| Catalogue References |
TH 138 ; ČW 143 (as "Waltz") |
| Date |
February–April 1878 |
| Key |
A♭ major |
| Tempo/Section Listing |
Tempo di Valse (A♭ major, 191
bars) |
| Instrumentation |
Piano (solo) |
| Autograph Location |
Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No.
115) |
| First Publication |
Moscow: P. Jurgenson,
1879 |
| Average Duration |
3 minutes |
| Dedication |
Modest
Ilyich Tchaikovsky (1850–1915) |
| External Links |
IMSLP/Petrucci Music Library
(downloadable score) |
No. 9. Valse (Вальс)
| Catalogue References |
TH 138 ; ČW 144 (as "Waltz") |
| Date |
February–April 1878 |
| Key |
F♯ minor |
| Tempo/Section Listing |
Tempo di Valse (F♯ minor, 231
bars) |
| Instrumentation |
Piano (solo) |
| Autograph Location |
Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No.
115) Klin (Russia): Tchaikovsky House-Museum
Archive (v1, No. 443) — variant |
| First Publication |
Moscow: P. Jurgenson,
1879 |
| Average Duration |
6 minutes |
| Dedication |
Modest
Ilyich Tchaikovsky (1850–1915) |
| External Links |
IMSLP/Petrucci Music Library
(downloadable score) |
No. 10. Danse russe (Русская пляска)
| Catalogue References |
TH 138 ; ČW 145 (as "Russian Dance") |
| Date |
February–April 1878 |
| Key |
A minor |
| Tempo/Section Listing |
Andantino (A minor, 120 bars) |
| Instrumentation |
Piano (solo) |
| Autograph Location |
Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No.
115) Naples: Biblioteca
Conservatorio di musica San Pietro a majella — variant |
| First Publication |
Moscow: P. Jurgenson,
1879 |
| Average Duration |
2 minutes |
| Dedication |
Modest
Ilyich Tchaikovsky (1850–1915) |
| Note |
Based on the Danse russe from Act III of the ballet Swan Lake. |
| External Links |
IMSLP/Petrucci Music Library
(downloadable score) |
No. 11. Scherzo (Скерцо)
| Catalogue References |
TH 138 ; ČW 146 |
| Date |
February–April 1878 |
| Key |
D minor |
| Tempo/Section Listing |
Allegro vivacissimo (D minor, 236 bars) |
| Instrumentation |
Piano (solo) |
| Autograph Location |
Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No.
115) |
| First Publication |
Moscow: P. Jurgenson,
1879 |
| Average Duration |
4 minutes |
| Dedication |
Modest
Ilyich Tchaikovsky (1850–1915) |
| External Links |
IMSLP/Petrucci Music Library
(downloadable score) |
No. 12. Rêverie interrompue (Прерванные грезы)
| Catalogue References |
TH 138 ; ČW 147 (as "Interrupted
Reverie") |
| Date |
February–April 1878 |
| Key |
A♭ major |
| Tempo/Section Listing |
Andante un poco rubato e con molto espressione (A♭
major, 125 bars) |
| Instrumentation |
Piano (solo) |
| Autograph Location |
Moscow (Russia): Glinka National Museum Consortium of Musical Culture (ф. 88, No.
115) |
| First Publication |
Moscow: P. Jurgenson,
1879 |
| Average Duration |
5 minutes |
| Dedication |
Modest
Ilyich Tchaikovsky (1850–1915) |
| External Links |
IMSLP/Petrucci Music Library
(downloadable score) |
History
"I have decided that each morning I shall write something new. Yesterday
I wrote a romance, and today a piano piece", Tchaikovsky wrote to
Nadezhda von Meck from Florence on 12/24 February 1878 [1]. The result
of this decision was the composition of twelve piano pieces of moderate difficulty.
Tchaikovsky referred to the piece Rêverie interrompue (No. 12) in
another letter of 13/25 February 1878 [2]. For its middle section the composer used a song which
he heard through his window in Venice
sung by a single street-singer [3]. Danse russe (No. 10) was written in 1877 as
an additional number for the ballet
Swan Lake. An earlier version of the Waltz
in F♯ minor (No. 9) was written on 4/16 June
1876 in Sergey Taneyev’s notebook
(according to the author's date) [4].
While travelling from Florence
to Clarens (Switzerland), the composer
continued work on the piano pieces. The next reference to the piano pieces was
on 28 February/12 March 1878 in a letter to Anatoly Tchaikovsky
[5]. By mid/late
March he had already completed seven pieces [6]. At the same time Tchaikovsky was
working on the Violin Concerto
and the Grand Sonata in G major. The sketches
for the pieces were completed at Kamenka
in April. "The 12 pieces of moderate difficulty for solo piano are ready—but
of course, only in draft" [7].
The copying out of the pieces was accomplished by 13/25 July [8]. On 29 July/10
August the composer sent the pieces to his publisher in Moscow, together with a number of
other completed works (the Grand Sonata in
G major, the Children's Album, the Six Romances (Op. 38), and the Liturgy of
Saint John Chrysostom).
While preparing the pieces for publication, Tchaikovsky asked Pyotr Jurgenson to: "ask Taneyev to play through these
pieces, and correct any mistakes he might find" [9]. The proofs were corrected by Nikolay Kashkin, although
Tchaikovsky himself also reviewed them [10].
The pieces are dedicated to Modest Tchaikovsky. The
manuscript score carries no dedication, but his name appeared on the first edition
at the author’s request.
Published by Pyotr Jurgenson
in 1879.
From: Музыкальное наследие Чайковского (1958), pp. 404–405
English text copyright © 2006 Brett Langston
Notes:
- Letter 758 to Nadezhda von Meck, 12/24 February 1878 [back]
- See letter 759 to Anatoly Tchaikovsky, 13/25–14/26
February 1878, and also letters 696 and 758 to Nadezhda von Meck, 20 December
1877/1 January 1878 (with a note of the song) and 12/24 February 1878 [back]
- Modest Tchaikovsky, Жизнь Петра Ильича Чайковского,
том 2 (1901), p. 205 [back]
- Until recently this piece had been wrongly dated
to 1876 instead of 1878, and was consequently classified as an earlier, independent
work – namely, the Waltz in F♯ minor. However, it has now been established
that this was actually a later variant of the Valse—No. 9 of the
Twelve Pieces (Op. 40)—made for Sergey Taneyev [back]
- Letter 773 to Anatoly Tchaikovsky, 27 February/11
March–1/13 March 1878 [back]
- See letter 789 to Pyotr Jurgenson, 15/27 March 1878 [back]
- Letter 820 to Nadezhda von Meck, 30 April/12 May
1878 [back]
- See letter 871 to Nadezhda von Meck, 13/25 July 1878 [back]
- Letter 964 to Pyotr Jurgenson, 11/23 November 1878 [back]
- See letters from Pyotr Jurgenson to Tchaikovsky, 24
October/5 November, 27 October/8 November and 16/28 November 1878 – Klin House-Museum
Archive – and letter 946 to Pyotr Jurgenson, 20 October/1 November 1878 [back]
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