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Tchaikovsky |
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TH 138 Twelve PiecesДвенадцать пьесModerate difficulty, Op. 40 (1878).
History"I have decided that each morning I shall write something new. Yesterday I wrote a romance, and today a piano piece", Tchaikovsky wrote to Nadezha von Meck from Florence on 12/24 February 1878 [1]. The result of this decision was the composition of twelve piano pieces of moderate difficulty. Tchaikovsky referred to the piece Rêverie interrompue (No. 12) in another letter of 13/25 February 1878 [2]. For its middle section the composer used a song which he heard through his window in Venice sung by a single street-singer [3]. Danse russe (No. 10) was written in 1877 as an additional number for the ballet Swan Lake. An earlier version of the Waltz in F-sharp minor (No. 9) was written on 4 June 1876 in Sergei Taneev’s notebook (according to the author's date) [4]. While travelling from Florence to Clarens (Switzerland), the composer continued work on the piano pieces. The next reference to the piano pieces was on 28 February/12 March 1878 in a letter to Anatolii Tchaikovsky [5]. By the middle of March he had already completed seven pieces [6]. At the same time Tchaikovsky was working on the Violin Concerto and the Grand Sonata in G major. The sketches for the pieces were completed at Kamenka in April. "The 12 pieces of moderate difficulty for solo piano are ready - but of course, only in draft" [7]. The copying out of the pieces was accomplished in the first half of July, by the 13th [8]. On 29h July the composer sent the pieces to his publisher in Moscow, together with a number of other completed works (the Grand Sonata in G major, the Children's Album, the Six Romances, Op. 38, and the Liturgy of St. John Chrysostom). While preparing the pieces for publication, Tchaikovsky asked Petr Jurgenson to: "ask Taneev to play through these pieces, and correct any mistakes he might find" [9]. The proofs were corrected by Nikolai Kashkin, although Tchaikovsky himself also reviewed them [10]. The pieces are dedicated to Modest Tchaikovsky. The manuscript score carries no dedication, but his name appeared on the first edition at the author’s request. Published by Petr Jurgenson in 1879. From: Музыкальное наследие Чайковского (1958),
pp. 404-405 Notes:
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