According to Alexander Poznansky's "The Tchaikovsky Handbook", Tchaikovsky
was planning to compose in 1893, the year of his death, a Flute Concerto for
the French virtuoso Paul Taffanel. There are sketches of the first and second
themes, but they don't really make sense, or at least the second one sounds
pretty strange. Does anyone know if Tchaikovsky was always writing flats and
shaps in his sketches?
Simon DeschĂȘnes
As co-author of The Tchaikovsky Handbook with Alexander Poznansky,
I transcribed the themes for the projected Flute Concerto (p. 422) from a
facsimile of the composer's sketches. It wasn't unusual for Tchaikovsky to
omit accidentals (or even key signatures), in his rough work, and this has
certainly happened in the case of the concerto's two themes. Rather than attempt
to "guess" the composer's intentions, this just reflects what he had actually
written, although the quality of the facsmile was poor.