YouTube -
Glenn Gould plays Grieg piano sonata in e minor Op 7 IV. Finale: Molto
allegro
In the correspondence of Sept 1, 2008 a question was raised about the
origin of the major theme of the first movement of Tchaikovsky's Fifth
symphony....well in David Brown's biography on Tchaikovsky, Volume Four
1991 page 149 footnote he states:
"In view of Tchaikovsky's first intention of making Grieg the
dedicatee, (of the Fifth Symphony), it is curious to note the similarities
between the opening Allegro con anima and the finale of Grieg's Piano
Sonata also in E Minor . ....the sonata was revised and republished in
1887, and it is difficult to believe that this new version did not feature
in the musical exchanges of the composer and Tchaikovsky....it is not
merely that there are similarities between the first subjects of the two
movements, there are also tiny touches which suggest this Molto Allegro
haunted Tchaikovsky's creativity as he composed his far more sophisticated
sonata structure"....he did dedicate his next piece, the Hamlet Overture
to Grieg....
You can hear and see for yourself the truth of the above in this
excerpt from the sonata....this may help to clarify the issue....
Albert Gasparo
http://imslp.info/files/imglnks/usimg/a/a7/IMSLP10834-Glinka_-_A_Life_for_the_Csar__Piano_Red._.pdf
In David Brown's biography of Tchaikovsky Vol. 4 page 148 the author
mentions that the introduction of the Fifth Symphony represents a quote
from Glinka's "A Life for the Tsar"....the first two bars of this aria are
almost identical with the first four bars of the theme of the introduction
to the symphony which then is played in all the other three movements and
finally reaches its apex in the finale....if interested one can turn to
page 56 of the piano vocal score above and see for oneself....but be
alerted it takes time to download the lengthy score.....
Albert Gasparo