Was Tchaikovsky a religious person? Did he believe in God?
Craig Sayer
20/01/2012 19:25
In my searches I came upon this quote from ''The Forum for Ayn Rand
fans" as per B. Royce from the book ''Russian Symphony'. 1947...a work by
various Russian writers of the time on critiques of Tchaikovsky's
music...the composer like many educated people of his time was rather a
skeptic regarding religious matters...even though he attended religious
services from time to time and wrote a number of religious works and even
called on God like many of us do regardless of our religious
affiliation...the quote is in keeping with Tchaikovsky's beliefs as I know
them even though the book was written during the Communist regime when
religion in any form was considered anathema...
"In the book Russian Symphony I read, "Christian methods were too
rigorous, austere and cold for Tchaikovsky, while the mystical element
in all religion clashed with man's "reasoning faculties" and the
conclusions "reached by critical processes of the mind." The dogma of
retribution for sins struck Tchaikovsky as "monstrously unjust and
irrational." On the other hand, the conception of the hereafter as a
serene, untroubled existence and a state of eternal bliss he considered
not only fantastic but extraordinarily flat, boring and unattractive. "I
have come to the conclusion that if there is indeed a life after death,
it exists only in the sense that matter does not die and also in the
pantheistic conception of the eternity of nature in which I constitute a
microscopic phenomenon. In a word, I cannot understand individual
immortality. Indeed, how can we conceive of an eternal future life of
eternal pleasure? In order that there should be pleasure and bliss there
must be its opposite---eternal suffering. The latter I repudiate
altogether. Finally, I do not even know whether one should wish for a
life after death, for the only charm that life has is the alternating
joys and sorrows, the struggle between good and evil, light and
darkness, in a word, the unity of opposites. How can eternity be
conceived as endless bliss? According to our earthly understanding we
would tire eventually of bliss too, if it were altogether unrelieved. As
a result of this reasoning I have come to the conclusion that there is
no eternity."
Bravo
Best wishes,
Albert Gasparo
23/01/2012 06:26
The author of that essay in Russian Symphony: Thoughts about
Tchaikovsky (1947) ends his quote as in the above posting, but
Tchaikovsky’s letter (to Nadezhda von Meck on 23 November/5 December 1877)
does in fact continue as follows:
“However, conviction is one thing, and instinct and feeling another.
Whilst I deny an eternal afterlife, it is with indignation that I reject
at the same time the monstrous thought that I shall never see again some
loved ones who are now dead. In spite of the triumphant force of my
convictions, I shall never reconcile myself to the thought that my
mother, whom I so loved and who was such a wonderful person, has
disappeared forever and that I will never be able to tell her that even
after twenty-three years of separation I still love her the same…”
(quoted from the article on Beethoven in the
People section)
A letter to Mrs von Meck on 16/28 February–17 February/1 March 1879, in
which he tells her of his impressions of reading the scene in The Brothers
Karamazov where Father Zosima has to comfort a woman who has lost all her
children, shows that this was a question which Tchaikovsky often thought
about:
“Yes, my friend! It is better to have to die oneself every day for a
thousand years than to lose those whom one loves and to seek consolation
in the hypothetical idea that we shall meet again in the other world!
Will we meet again? Happy are those who manage not to have doubts about
this” (quoted from the article on Dostoevsky in the
People section)
On the subject of Tchaikovsky’s views on religion, it is very
instructive to turn to his ‘special diary’. On 22 February/6 March 1886,
he noted there:
“What an infinitely deep abyss between the Old and the New Testament!
Am reading the Psalms of David and do not understand why, first, they
are placed so high artistically and, second, in what way they could have
anything in common with the Gospel. David is entirely
worldly. The whole human race he divides into two unequal parts: in one,
the godless (here belongs the vast majority), in the other, the
godly and at their head he places himself. Upon the godless, he
invokes in each psalm divine punishment, upon the godly, reward; but
both punishment and reward are earthly. The sinners will be annihilated;
the godly will reap the benefits of all the blessings of earthly life.
How unlike Christ who prayed for his enemies and to his fellow man
promised not earthly blessings but the Kingdom of Heaven.
What eternal poetry and, touching to tears, what feeling of love and
pity toward mankind in the words: “Come unto me all ye that labor and
are heavy laden.” All the Psalms of David are nothing in comparison with
these simple words.” (Quoted from Wladimir Lakond, The Diaries of
Tchaikovsky (1945), p. 244)
This contrast between the Old and New Testament and his admiration for
the figure of Christ, and, in particular, for Christ’s exhortation: “Come
unto me all ye that labour and are heavy laden” (Mathew 11:28)—the
underlying idea of which he once tried to set into music—are themes he
often returned to in those years. Another interesting diary entry is that
which he made in Maydanovo on 21 September/3 October 1887, on the same day
that his old friend Nikolay Kondratyev died after a long illness in Aachen
(where Tchaikovsky had visited him that summer):
“How strange it was for me to read that 365 days ago I was still
afraid to acknowledge that, despite all the fervor of sympathetic
feelings awakened by Christ, I dared to doubt His Divinity. Since then,
my religion has become infinitely more clear; I thought much about God,
about life and death during all that time, and especially in Aachen
the vital questions: why? how? wherefore? occupied and hung over me
disturbingly. I would like sometime to expound in detail my religion
if only for the sake of explaining my beliefs to myself, once and for
all, and the borderline where, after speculation, they begin. But life
with its excitement rushes on, and I do not know whether I will succeed
in expressing that Creed which recently has developed in me. It
has developed very clearly, but still I have not adopted it as yet in my
prayers. I still pray as before, as they taught me to pray. But then,
God hardly needs to know how and why one prays. God does not need
prayer. But we need it.” (Quoted from Wladimir Lakond, The
Diaries of Tchaikovsky (1945), p. 249)
It is possible that the Fifth Symphony grew out of some of these
reflections, as suggested by Tchaikovsky’s notes on the initial sketches
(see the work history).
An interesting article by Elena Dyachkova, “Tchaikovsky and the Bible”,
is available online:
http://www.uni-leipzig.de/~musik/web/institut/agOst/docs/mittelost/hefte/0515-Dychakova.pdf
... in which she also touches upon Tchaikovsky’s admiration for St Joan
of Arc (the subject of another recent posting).
Luis Sundkvist
23/01/2012 22:26
I thank Mr. Sundquist for giving us the broader view of the composer's
beliefs...but I am wondering if he had lived into the 20th century where
the sciences have developed 100 fold in fields like paleontology,
astronomy, air flight, automobiles, and all the modern means of
communication...not to speak of the revolution that was to happen in his
own country in 25 years after his death where religion itself was to be
suppressed..two world wars, a civil war, the dropping of atomic bombs, the
discovery of galaxies in the 1920's..when we can deduct the approximate
age of the universe and the earth....the cold war...and now the rise of
Islam and China looming as a great world power..a world in more turmoil
than its ever been....I wonder taking all that into consideration how it
would further affect an educated, intelligent person like Tchaikovsky who
already had his doubts in a world that had a much more limited access to
the information we have today....
Best wishes,
Albert Gasparo
25/01/2012 22:51
As always, thank you Albert and Luis for your research and insight into
the matter. It seems Tchaikovsky had many more questions than answers, as
most of us do. I find his skepticism in a time without modern science
refreshing. He truly was one of a kind.
Craig Sayer
01/02/2012 13:43