Letter 75
|
Russian text (original)
|
|
English translation Copyright © 2010 by Luis Sundkvist
|
|
|
|
С.-Петербург, 22
октября [1865 г.] |
|
Saint
Petersburg, 22 October [1865] |
| Милая Саня! Письмо твоё я
получил уже недели две тому назад и
так долго не отвечал по свойственной
мне лени. Живу я теперь у тёти Лизы и
до того недоволен, что к 1 ноябрю
непременно перееду. Во-первых,
сырость невообразимая, и с тех пор,
как я переехал, я постоянно чувствую
себя нехорошо: то болят зубы, то руки
и ноги, кашель постоянный и т. д. Во-вторых,
далеко от всех центров, от
Консерватории и т. д.; в-третьих, покоя
нет ни малейшего, постоянный шум,
звонки, раздающиеся у моей комнаты, и
т. п. Вдобавок ко всему, я даже не могу
перевезти рояль из опасения
совершенно его испортить сыростью.
Между тем занятия мои делаются очень
серьёзны. К окончанию
консерваторского курса мне задано
большое сочинение, которое потребует
тишины, покоя и инструмента. |
|
Dear Sania!
I received your letter some two weeks ago in fact, and it has taken
me so long to answer because of my characteristic laziness. I am now
living at Aunt Liza's
and am so dissatisfied [with my lodgings] that I am going to move
out again by 1 November without fail [1]. In the first place, the
level of humidity is unbelievably high, and ever since I moved in I
have been constantly feeling unwell: now my teeth have been aching,
now my arms and legs; I have a chronic cough etc. Secondly, it is
quite far from all the urban centres, from the Conservatory etc.
Thirdly, it is impossible to enjoy the least bit of quiet, as there
is a constant din: the door-bell is right next to my room and I hear
it ring all the time, etc. Moreover, I cannot even have my piano
brought here, as I am afraid of ruining it completely with the
humidity. And all this when my work is entering a very serious
phase. In order to finish my conservatory course I have been set a large composition, for which I require quiet,
peace, and access to an instrument [2]. |
|
У Давыдовых постоянно кто-нибудь
болен; бедная Вера Васильевна с самого
приезда возится с зубами. Я бываю у них
довольно часто, и сегодня с Толей и
Модей (которые отпущены по случаю
Казанской Божьей Матери) будем у них
обедать. Вообще жизнь их в последнее
время приняла несколько мрачный
колорит по причине постоянной болезни
Веры и Лизаветы Васильевны. Уроки
пения она решила не брать, и я боюсь,
что это скверно подействует на
бодрость её духа. Оно и в самом деле
грустно: переехать в Петербург
специально для того, чтобы заниматься
музыкою, и видеть все свои планы и
мечты мало-по-малу разрушающимися.
Очень смеялся я над твоею
рассеянностью, весьма родственною
моей; легко воображаю я удивление
Папаши, когда он получит письмо, в
котором ты называешь его мопкой.
Очень часто думаю я о Вас, милые мои, и
смущаюсь при мысли о том, что Вы
скучаете и порываетесь к чему-нибудь
другому, когда крылья Вам обрезали и
нельзя полететь, куда хочется. Напиши
мне, Саша, каково расположение духа
Лёвы, Николая Васильевича и твоё.
Разнообразит ли Вашу жизнь хоть
сколько-нибудь приезжая швейцарка?
Дорого бы я дал, чтобы услышать
французскую болтовню Тани и Веры.
Напиши мне также что-нибудь про Анюту.
Скажу тебе по секрету, что сын Амальи
мне совсем не нравится и в сравнении с
Анютой никуда не годится; всего
неприятнее то, что на голове нет ни
одного волоса, и хотя он невероятно
толст, а это отсутствие волос придаёт
ему всё-таки вид какой-то
неотделанности.
|
|
Over at the Davydovs' someone or other is constantly ill [3].
Poor Vera Vasil'evna has
been having trouble with her teeth ever since they arrived. I visit
them quite often, and today in fact I am going to have dinner at their
place together with Tolia
and Modia (who have
been given a day off school on the occasion of [the feast-day for] Our
Lady of Kazan[4]).
In general, the atmosphere at the Davydovs' has of late been somewhat
clouded by the constant ailments of Vera
and Lizaveta Vasil'evna [5]. She [Vera]
has decided not to have any singing lessons, and I fear this may have
a dispiriting effect on her. I mean, it really is sad: having moved to Petersburg
specifically to be able to study music, she is now seeing all her
plans and dreams fall apart little by little. I laughed a lot at your
absentmindedness, which is very much akin to mine—I can easily
imagine Papasha's
astonishment when he receives the letter in which you called him "mopka"
[pug-dog ?]. I think about you very often, my dear ones, and I am
troubled by the thought that you are feeling depressed and striving
for something else when your wings have been clipped and you cannot
fly where you would like to. Write to me, Sasha,
and tell me what your mood is like, and also that of Leva
and Nikolai Vasil'evich [6]. Does the newly-arrived
Swiss governess at least brighten up your life a little? I would pay
dearly to hear Tania
and Vera
prattle in French! Write to me something about Aniuta
too. I shall tell you in confidence that I don't like Amaliia's
son at all, and that he absolutely cannot stand comparison with Aniuta.
The most disagreeable thing about him is that he doesn't have a single
hair on his head, and though he is unbelievably fat, still this
absence of hair does make him look somehow
incomplete.
|
| Тебе велела передать кучу
нежностей тётя Катя, у которой я
очень часто бываю и, когда хочу
хорошенько заняться, провожу целый
день с утра. Она всё так же
выздоравливает и заболевает десять
раз в сутки. Расцелуй Лёву и детей.
Николаю Васильевичу самый горячий
поклон. |
|
Aunt
Katia has asked me to send you heaps of love—I visit her very
often, and when I want to get some proper work done I go there early
in the morning and spend the whole day there. She still has that
habit of falling ill and recovering ten times a day. Shower Leva
and the children with kisses. Give my most fiery regards to Nikolai
Vasil'evich. |
| П. Чайковский |
|
P. Tchaikovsky |
| А тебя-то и позабыл
наикрепчайшим образом расцеловать. |
|
I say, I'd quite forgotten to shower you
with the very warmest kisses. |
Notes:
- Tchaikovsky was then living in one of the furnished
rooms at the boarding house opened a few years earlier by his aunt Elizaveta
Shobert on 11 Panteleimonovskaia Street. Address provided in: Modest
Tchaikovsky, Жизнь
Петра Ильича Чайковского,
том 1 (1997), p. 182 [back]
- On 12/24 October 1865, the Professors' Council at the Saint Petersburg Conservatory
had determined that, in order to complete his course, Tchaikovsky should be set the task of writing a cantata for chorus and orchestra on the text of Schiller’s Ode to Joy. Tchaikovsky duly worked on his cantata Ode
to Joy during November and the first half of December,
completing it in time for the public examination at the Conservatory
on 29 December 1865/10 January 1866, at which the cantata was
performed for the first time [back]
- Several members of the Davydov family were now
living in Saint Petersburg
(though they still spent the summer months at Kamenka).
These included Aleksandra Ivanova Davydova (née Potapova;
1802-1895), her daughters Elizaveta (1823-1904), Aleksandra
(1827-1917), Sof'ia (1832-1903), and Vera
(1843-1923), and her son Aleksei (1846-1909). Tchaikovsky generally got on very
well with his in-laws [back]
- In pre-revolutionary Russia 22 October [O.S.]
was a public holiday known as the Autumn Feast-day for Our Lady of Kazan
and commemorated the liberation of Moscow
from the Poles in 1612, during which the icon of Our Lady of Kazan
was invoked by the Russian troops. The same event is now celebrated in
Russia as a public holiday called National Unity Day (4 November [N.S.]) [back]
- Elizaveta Vasil'evna Davydova (1823-1904),
elder sister of Lev Davydov [back]
- Nikolai Vasil'evich Davydov (1826-1916),
elder brother of Lev Davydov.
A retired army officer, he was the owner of Kamenka
but he had handed over the management of the estate to his more
practically minded younger brother in 1860. Nikolai had stayed on in Kamenka,
devoting himself to his various hobbies (principally the reading of
books on politics, history, and philosophy). See Modest
Tchaikovsky, Жизнь
Петра Ильича Чайковского,
том 1 (1997), p. 178 [back]
This page was last updated
on 26 February 2012
|